НАУЧНАЯ БИБЛИОТЕКА - РЕФЕРАТЫ - "Silver age" in Russian art

"Silver age" in Russian art

"Silver age" in Russian art

New style in Russian art has arisen in 80th of XIX century under the big influence of the French impressionism. Its blossoming is noted by a boundary XIX and ХХ centuries.

Within several decades after the decline (already by the end of 10th ХХ centuries the modernist style in Russian art with which the Silver age associates, concedes the predominating role to new directions) Silver age art was perceived as a decadence and lack of taste.

But to vary by the end of the second millennium of an estimation began more close. The matter is that exists two types of blossoming of spiritual culture. For the first powerful innovations and great achievements are characteristic. Vivid examples to that is Greek classics V-IV centuries BC and especially European Renaissance.

In the middle of XIX century representatives of romanticism dreamt of creation of uniform style which could surround the person with beauty and by that to transform a life. Art means to change the world - such problem put before creators fine Rihard Wagner and прерафаэлиты. And already in the end of XIX century Oscar Auld asserted, that «more likely the life imitates art, rather than life art». There was an obvious staging of behavior and a life, game began to define not only character of art culture, but also style of a life of its founders.

The silver age in Russian culture is not only painting and architecture of a modernist style, not only the symbolist theatre which has embodied idea of synthesis of arts when over performance statement together with directors and actors artists and composers worked, it and the symbolism literature, and especially poetry which has entered into history of the world literature under the name «Silver age poetry». It is style of an epoch, a way of life.

To make of the life a poem - a most important task which was put before themselves by heroes of the Silver age. So, symbolists, first of all, did not wish to separate the writer from the person, the literary biography from the personal. Symbolism did not wish to be only a literary current, but tore to become vitally creative method. It was a number of attempts to find irreproachably true alloy of a life and creativity, some kind of a philosophical stone of art.

Were in this aspiration and shady sides. Unduly pretentious speech and the gesticulation, a shocking suit, drugs, spirits - on the verge of centuries all it carried signs избра